Rock star and artist myth There are rock stars who are the link and greatly creator of the social c

Today it is no longer rock strong visual side that is the focus of artistic sams clube practices, it is rock's sams clube ability sams clube to create relationships and community that runs when artists start using rock as a tool.
When pop culture went into popular society and mass consumption as elements of visual art, this meant automatically that the cultural phenomenon of rock had a significant sams clube place in contemporary art. This happened in the late 1950s with artists such as Ray Johnson (1927-1995), Andy Warhol (1928-1987) and Richard Hamilton (1922-2011), and got full speed throughout sams clube the 1960s.
Pop Art essence was to use items that were recognizable to the masses through mass media such as radio, television, newspapers mm and a growing availability sams clube of mass-produced consumer goods. As a product of this media society where visual media such as television and record sales accounted for a large part of the commercialization of rock music, rock was characterized as much by a visual aesthetic that its sound. Depictions of rock's visual sams clube elements, lp disc, electric guitar and the biggest rock stars went back to art as a symptom of the growing mass society and the growing materialism among young people.
Rock as ideal in today's Post-Conceptual Contemporary Art is the reference to the rock still highly present, but it is no longer just the reference to rock iconographic dimensions as the basis for the artist's interest. sams clube Dan Graham (1942) oeuvre, which often focuses on the social space, human relationships and rituals, show a general interest in the cultural phenomenon sams clube of rock and the influence of rock culture has had on the cultural connotations, especially when in his native America. Graham Dolphin (1972), has created sams clube a series of sculptures and installations that explore the unique relationship between fans and rock stars, which seems to continue almost in an amplified form by rock star's death. sams clube Today it is thus rather the affect-based elements that are so strong in rock culture, which also takes place in contemporary art.
Tender for much of today's artistic practice is precisely the focus on the social and relationships between people. What happens when people meet and what kind of relationship between people exist? What brings together people and what kind of explanations exist in various human interactions and its social context? The active observer is central and the social art is looking to create a collective experience sams clube with their audience, while the artist automatically reduce its own role in the work. Why the cultural phenomenon sams clube of rock are of interest sams clube to the social art is precisely because of rock music's addiction to its environment and the collective experience of music created in the meeting between rock stars and the audience or the audience arises between. The social belonging that is part of the rock, are the social sams clube art a kind of ideal. sams clube
Much of rock's strength lies precisely in the way music has always been a creator of community. These communities are engaged and reached large numbers of people sams clube in vast geographical areas, or made smaller communities, sams clube subcultures. sams clube In both cases, the collective experience of a unity based on a shared mental attitude to the outside sams clube world as well as a specific taste in music. Within the various branches of the community sees how music has been the driving force for a certain sams clube lifestyle that includes both a visual style, an auditory style and a general view of life. These are the main elements that rock culture based, and can sometimes be read as clear violations of the prevailing directions and trends in society. So based communities that are formed sams clube under the rock, in the idea of being an outsider, someone who gets up on the side of the masses, which in a mass society seems to be a strong attraction factor.
The most obvious examples of such community is seen in groups as Teddy Boys in the '50s, Mods in the 60s, hippies, skinheads and not least punkers with its heyday in the 70s. Relations and solidarity between fans and rock stars has grown into one of the most characteristic aspects one associates with rock culture, and it is as strong today as it has done since rock rope.
Rock star and artist myth There are rock stars who are the link and greatly creator of the social communities that are created within the rock culture. They carry the role of the creative, independent and rebellious individual, an image that young people have always been attracted to, and also identifies. The massive front of the rock music through the visual media, has also made the images of rock stars dictates a certain lifestyle, how to dress and how to behave. Through the music created an identity sams clube through multiple layers. Rock star that rebel was coined back in the 1950s, when Elvis challenged the audience by playing